The second and final IC Newsreel was recorded on 2 March 1970. It was shown, like the first programme, at lunchtime the following day in the Junior Common Room in College Block (Sherfield). This final programme was a bit different and had a scoop too. Prior to the main recording, the Yugoslavian Prime Minister was visiting Imperial College and we were able to get the departure of him, his Police escort and his entourage. Andy Finney and Vivienne Taylor stood outside the mechanical engineering building to cover the event, even though this was not originally their intention for being there. Andy was on a very long-range radio microphone and we used the longest lens possible on the camera, which (along with a second camera) was located on the third floor of the electrical engineering building. Because we had no way of inserting the item into the actual forthcoming news programme, Andy had to pre-record the item as it was happening, and we ran the item before the main program started. Not the conventional way to make a news program, but at least it was new and it was unique for that time. The news item by Andy is then followed by what was called a ‘crash’ edit (stop recording then restart again) so there are a few wobbles on the screen before the main programme starts.
Included in the programme were interviews with the three main candidates for the election of IC Union President. The first ever recording of this type. Judith Walker won the election and became the first female in the role. She talks to Vivienne Taylor, also seen in IC Newsreel Number 1.
Just as we had ended the main recording and faded to black, the current Union President Piers Corbyn asked to be able to say a few words. So, following yet another crash edit, we faded back up and sort-of started again. The reason for these types of stops and start edits was because we only had one Ampex Videorecorder and that could not actually edit anyway.
Sadly no photos were taken at the time of these two news programme recordings, only the videotape survives, which is rare. The upper photo is of the TV studio in the late 1960’s and the lower, is just before the Philips Videorecorder, seen in the photo, was replaced by the Ampex, which was used to record the two IC Newsreels. The opening coverage of the Yugoslavian Prime Minister’s visit also gives the original view across Dolby Court, all the way from Electrical Engineering to Mechanical Engineering, a view now lost forever with the creation of the Faculty Building.
IC Newsreel paved the way for STOIC’s; TOPIC, Lunchbreak and then News-Break.
Colin Grimshaw March 2021
On STOIC’s weekly news programme “News-Break”, all sorts of things were featured. From interviews with Rectors about college funding cuts; the siege at the Iranian embassy; potential integrations of another college into Imperial, through to….making badges!
Yes, the making of badges was indeed a feature on the 13 January 1982 edition of News-Break. Regular presenter Mike Hackett talked to the chairman of Badge Soc, Chris Taylor from Mechanical Engineering. In fact when you see the badge making device it does look like it should have been in the Mechanical Engineering Workshop. Below, from FELIX, is Badge Soc’s Small Ad.
So, in the same programme that featured the potential QEC ‘merger’ with Imperial we have Badge Soc. Chris Taylor is doing his impression of Imperial’s own (Dr) Brian May with that haircut it seems. Here then is STOIC’s very best ‘Blue Peter’ item for the first programme of the year (1982) 38 years ago.
Colin Grimshaw February 2021
On 2 December 1980 I assisted STOIC with the recording of an interview with Lord Flowers (1924-2010) who was Rector from 1973 to 1985. This was the first time that we had recorded the Rector in colour and at that time STOIC did not have their own colour equipment, hence I helped out. This was an interview that former STOIC Chairman Mike Prosser carried out and at the end Mike asked if he’d record this separate special message. I’ve only just found this recording, included in the Christmas edition of their News-Break programme. The Rector’s office in the Sherfield Building is long since gone, as it moved into the new Faculty Building once it was opened. So yet another record in the archives of Imperial’s ‘times-past’.
Colin Grimshaw January 2021
On 13 January 1982 edition of STOIC’s News-Break, Mike Hackett visited the City and Guilds office. Andy Rushton was then the president of C&G and he spoke about what was coming up and happening during the term. He also spoke about the forthcoming C&G elections. Some information I managed to find about Andy tells me that since 2011, he has been a Principal Consultant at ESR Technology providing major hazard services onshore and offshore. He also has involvement with the Institution of Chemical Engineers.
Once again this video was not without its technical problems and challenges. The studio sequences are all more or less OK, because they used high quality cameras. However, the camera that STOIC used for location work was nowhere near such quality and used what was called a single striped colour tube. The combination of being a tube camera and it producing the final colour by this method, was never without its problems.
The colour balance on the original was way-off and at the time, in 1982, we had no way of correcting this in post production. The still (above) that I’ve grabbed, is what it looked like directly from the programme master-tape during correction. I’ve struggled to produce something less green but have had to settle with what you are about to see. If the colour isn’t there, you can’t produce it out of thin air!
Colin Grimshaw January 2021
Today we have yet another untold story from Imperial’s past with an idea that started at the college and ended up on worldwide TV. Way back in 1975 Mark Caldwell, then Chairman of STOIC started an ambitious series of interviews with both film stars and TV celebrities. The first included American film director and actor Mel Brooks, British actor Malcolm McDowell and Australia’s very own Dame Edna Everage, otherwise known as Barry Humphries. The series ended up being called Film Talk. Coinciding with this were the services provided by the ULAVC, over the ILEA Channel 7 cable TV network – which I have covered previously.
I was the TV contact at Imperial and knew both the staff at the ULAVC centre in Bedford Square and the ILEA TV Centre in Battersea. Somehow or another I mentioned the idea of them showing some of these programmes over their network. The idea was accepted, so future recordings were made with both local viewing and remote viewing via ILEA in mind. We had progressed so well that a contact at Imperial College introduced us to yet another new idea. In Mechanical Engineering there was a computer-aided design system called CADMAC. It used a mini computer, storage-tube system and plotter as its basis for the generation of ‘animation’. For normal film animation at the time, cells made of plastic film were drawn on and filmed frame-by-frame by a normal film camera. The concept was to use the computer output to produce either cells or to output onto paper. These would then be captured onto film as usual. The difference here was the computing. Things could be manipulated on the screen by using a lightpen and objects merged and moved around. This could (at that time) not be run in full-motion playback, so it was therefore outputted onto film or paper.
A company was formed called Video Animation (later called Electronic Arts) and they were looking for ideas to showcase the possibilities of this new technology. We met them and they offered to make a short animation based on three photos that we would provide. These were inputted to their system by using a light-pen system to trace the image. It was then animated to produce an end result. So, the images were Mel Brooks, Malcolm McDowell and Barry Humphries as Dame Edna. The end result is not perfect. They could not, for some reason, cope with Dame Edna’s glasses or hat, and these are missing from the animation (see actual photo on left). It’s a very heavy contrast line drawing with no grey scale, but for us it was at least unique. They also created and added the title. The final product was given to us on 16mm film, the sound was added later. The film (seen on the right) was then played into any of the programmes via tele-cine. If we happened to be recording at the ILEA Battersea Studios, they had a tele-cine unit within the control room. For anyone who remembers the opening sequence to the worldwide TV series “The New Avengers” it was Video Animation who produced the opening title animation. It’s no coincidence that the Avengers TV series started the very next year in 1976. So, the experiment for Film Talk could well have been used to persuade the TV company to use animation in the opening titles. Our animation has some very close similarities to that of the New Avengers opening titles. See the bottom video for the Avengers animation sequence.
Colin Grimshaw 1 January 2021
40 years ago on the 29 October 1980 STOIC reported on, what was then, the new Mini Metro car. This location report was one of several undertaken on location using their portable video recording equipment. Yes, it’s still in black and white because colour for them was still a little while away, even though the TV Studio had already converted.
Tracy Poole and Grant Richmond are the reporters on location at the Design Centre in London’s Haymarket.
Colin Grimshaw 29 October 2020
I’ve only just realised that it’s 40 years ago this very month that I interviewed Professor Eric Laithwaite. I had suggested to the college archives that we should record this interview. Although, at present, I’m not able to get access to the mastertape, I have attempted to correct the colour and enhance the original version, the best that I can. There are potentially other unseen interviews with Eric Laithwaite that were made by STOIC, but until Imperial sees the advantage of these archive gems, they will forever remain in the archives. Sadly, money is needed to fund the transfer of these Ampex Type A videotapes into digital form. This is something that I can no longer do myself because all of our old videotape equipment was disposed of when the TV Studio was closed in 2007. So this interview is therefore the only one with Eric Laithwaite that’s recorded at Imperial College.
I was the interviewer and it was recorded in his office in the heavy electrical engineering laboratory at Imperial College. The slight background noise is from the various motors and machines running in the lab.
Colin Grimshaw September 2020
In June 1980 Professor J.C Anderson (1922-2001) from the Department of Electrical Engineering, came into the TV Studio to talk about UROP, the Undergraduate Research Opportunities Programme. He was chatting to STOIC’s Paul Johnson in what was one of the first academic interviews recorded in colour.
Professor Anderson ran UROP from the start, 1980 in fact, when this interview was recorded. He handed the scheme over to a colleague in 1987. The scheme, modelled on something by MIT, the Massachusetts Institute of Technology, was envisaged as a way to offer students an insight into research. In addition, staff were given the opportunity to gain eager, intelligent research assistants, keen to try out new ideas and work on speculative experiments. Some students admitted to choosing to study at Imperial specifically because of the opportunity to participate in UROP.
After 40 years I gather that UROP is still running at Imperial today.
Colin Grimshaw September 2020
In December 1981 former RAF pilot Sir Douglas Bader visited Imperial College Bookshop to promote and sign copies of his new autobiography. He took part in the Battle of Britain, was imprisoned at Colditz Castle and his life was chronicled in the film Reach for the Sky. Surrounded by copies of his books, Lawerence Windley managed to get a few words with him.
Within a year of this video, in September 1982, he had died.
Colin Grimshaw July 2020
One of the extremely useful things about STOIC’s Review of the Year programmes is that they showcased some of the most important things happening in college. In this edition from 40 years ago in June 1980, David Ghani and Paul Johnson give us a glimpse of events as seen through the lens of STOIC’s camera crew. As you will see, a large amount was still in black and white. In fact, this edition of the Review of the Year is the first to be shot in colour and that was simply because it was recorded within the confines of the College TV Studio. And if you look carefully you might spot that even the studio sequences have been shot and edited together in film style, using our single colour camera.
Look out for Rag Week events, STOIC’s 10th Anniversary and one department potentially about to go broke!
Colin Grimshaw 6 June 2020